Written by Richard Covington |
Photographed by Thorne Anderson |
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Dr. Fuat Sezgin, 82, is framed by the rings of an armillary
sphere in his Institute for the History of Arab–Islamic Science
in Frankfurt. He established the institute in the late 1970’s
after winning Saudi Arabia’s King Faisal Prize for science. Below: The institute is located in a villa in a quiet neighborhood in Frankfurt. It houses the most comprehensive collection of texts on
the history of Arabic–Islamic science in the world, and contains more than 800 replicas of scientific and engineering innovations. |
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ike a kid in a
toy store, Fuat Sezgin, still spry at 82, can barely suppress his
enthusiasm as he shows
off the 800 exhibits
that fill the museum of Arabic–Islamic science he’s
built up in Frankfurt over more than two decades. This little-known
treasure house of astrolabes, water-lifting machines, automatons,
globes, maps, clocks, balances, weapons, surgical tools and
astronomical and architectural models
is unequalled in the world.
“Wonderful, wonderful!” the exuberant Turkish-born
science historian says with a chuckle as I activate a 2.3-meter-tall
(7'6") clepsydra, or water clock, a brightly colored Rube Goldberg
contraption that tells time. Every half-hour, enough water fills a
floating basin inside the stomach of a wooden elephant to cause the
basin to sink, pulling strings that release a ball that rolls out of a
latticework tower into the mouth of one of a pair of joined serpents.
Under the weight of the ball, the heads of the serpents fall, raising
their tails; this simultaneously starts a scribe writing and triggers a
figure in the tower to lift its left hand on the half hour, its right
hand on the hour. Strings attached to the rising tails also raise the
basin back to the floating position to start the process over again as
a drummer seated atop the elephant’s head smartly taps out
two beats and the ball clatters into a barrel. Ta-da! Who said science
couldn’t be silly?
Part Ali Baba’s cave, part science fair, the museum occupies
two floors of a stately, three-story villa on the grounds of Johann
Wolfgang Goethe University. It contains very sophisticated toys indeed,
modern reproductions of ancient instruments. Some were fashioned by
Mahmut Inci, a Turkish-born designer who makes prototype scale models
for Mercedes Germany. Swiss clockmaker Martin Brunold fabricated a
number of the astrolabes, and Ayman Mohammed Ali Ibrahim, an
instrument-maker in Cairo, created others, employing traditional
techniques that eschew chemical solvents and electrical tools.
The collection gives science a three-dimensional reality, making it
immensely easier to visualize complex concepts that are well-nigh
unfathomable on the printed page. Studying an elaborate model of a
waterwheel powering a six-piston pump, a device invented by the
16th-century Arab engineer Taqi al-Din, I finally understand the
design, which had left me mystified when I originally read about it.
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METROPOLITAN MUSEUM OF ART / ART RESOURCE |
The water clock
model at the institute (below) tells the time, and fascinates anyone
watching, with a series of intricate, hydraulically driven movements. It mirrors the
Elephant Clock from al-Jazari’s Book of Knowledge of Ingenious
Mechanical Devices (above), written in the early 13th century. |
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“Now I get it,” I blurt out to Sezgin in a
“Eureka!” moment. Beaming,
the white-haired professor gives me
a knowing nod and moves on briskly to an ingenious steam-powered
turnspit for roasting meat, also invented
by the prolific engineer.“A hundred years after Taqi al-Din created this simple steam
engine, Italian designers put wheels on it to fabricate a rolling chair
that they presented to Kangxi, the 17th-century Chinese
emperor,” Sezgin explains.
The Indiana Jones of Islamic manuscripts, a tireless bibliographer who
has tracked down more than 400,000 texts from Oxford to Oman and
Kashmir in half a century of passionate research, Sezgin has made the
propagation of Muslim science a lifelong crusade. When he became the
first recipient of Saudi Arabia’s King Faisal Prize for
science in 1978, he persuaded Jaber al-Ahmad al-Jaber Al Sabah, the amir of Kuwait, to purchase the villa that now houses the
museum and the Institute for the History of Arabic–Islamic
Science, which Sezgin created at the Frankfurt university. He also
donated his entire prize—200,000 marks (around $97,000 at the
time, approximately $290,000 today)—to the institute
and persuaded government ministers from Saudi Arabia, the United Arab
Emirates, Qatar, Bahrain, Jordan, Syria, Libya, Tunisia, Algeria and
Morocco to help finance its operation.
Sezgin’s original notion for the museum grew out of a
determination to make it easier to comprehend hard-to-picture text
descriptions of scientific instruments. The first exhibit was a model
of al-Jazari’s animal-powered machine that used waterwheels,
gears and pumps to raise water. The idea was a hit: From the 20
exhibits he had initially imagined, the museum has mushroomed to
display some 800 pieces for select groups of students, scholars,
scientists and diplomats—
a total of around 4000 visitors a year. For most guests, the breadth of
the collection comes as a dazzling surprise.
“Muslims themselves do not really know the extent of their
own contribution to European science and the Renaissance,”
laments Sezgin, surrounded by floor-to-ceiling books in his
light-filled office. “What little they do know about the
subject they owe to the work of European Orientalists who started
researching Islamic science in the 19th century.” (See
“Lines of Transmission”).
Sezgin has certainly made a valiant effort to spread the
word—many words, in fact. His institute publishes
a huge booklist comprising around 1300 academic treatises and
monographs written in German, English, French and Arabic on a wide
range of subjects, including geography, mathematics, medicine,
astronomy and physics. Sezgin himself is the author of the encyclopedic 12-volume series Geschichte des arabischen
Schrifttums (History of Arabic Literature), which covers many
manuscripts on Muslim science. At a ceremony in Tehran in February
2006, he won the Iranian World Prize for Book of the Year for the
French version of his five-volume work Science et Technique en Islam, which provides a beautifully illustrated catalogue of all the objects
in the institute’s museum. (German and French versions are available
under the heading “Natural Sciences of Islam” at www.uni-frankfurt.de/fb13/igaiw. English, Turkish, Arabic and
Persian translations are in various stages of preparation.)
“When the Iranian president asked me for his own personal
copy, I gave him one,” the professor explains, “but I made sure to emphasize the debt Islamic science owed
to the French and German Orientalists.”
Everywhere he travels in the Muslim world, Sezgin finds an overwhelming
curiosity about the achievements of medieval Arab and Muslim scholars.
After a series of lectures in Istanbul, he received some 200 letters
from people thanking him for opening their eyes to Islamic science. In
Cairo, local newspapers report on his lectures because there is so
little knowledge about the subject. “To the Egyptians,
ancient Muslim science is almost breaking news,” he says.
Tucked away in a quiet, leafy neighborhood about a 1.5 kilometers (1
mi) from downtown Frankfurt, the institute is a world away from the
high-powered financial centers that the city is famous for. Inside,
there is a rarefied aura of scholastic tradition, a feeling that here
an essential chapter of global civilization is being preserved and
passed on. Lining the stairwell are engraved portraits and vintage
photographs of such revered Orientalists as Carl Brockelmann and
Eilhard Wiedemann, music specialist Henry George Farmer and, crucially
for Sezgin, Hellmut Ritter, his life-changing mentor at Istanbul
University.
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Galleries at the Institute for the History of
Arab–Islamic Science are packed with reproductions of
astronomical and navigational instruments. |
Upstairs in his office, the professor recollects how Ritter, one of the
world’s leading Orientalists and a famously demanding teacher
who insisted that students learn a new language every year, took the
19-year-old aspiring engineer aside one day and recommended that he
broaden his background in mathematics and physics by reading
the works of al-Khwarizmi, Ibn Yunus, al-Biruni and al-Haitham.
“I had never heard of them,” Sezgin recalls with a
laugh. “But I stayed up all night poring over their books,
ones Ritter had lent me, and the next day he took me to
Topkapı Saray library to show me al-Jazari’s Kitab
fi ma‘rifat al-hiyal al-handasiyya (The Book of Knowledge of
Ingenious Mechanical Devices). I decided right then and there that [the
history of Muslim science] was the research I wanted to dedicate my life to.”
In 1960, Turkish generals overthrew the ruling Democratic Party. Even
though Sezgin had been very little involved in politics, he was among
147 academics dismissed from Istanbul University in the wake of the
coup. Disgusted by the new regime, the
36-year-old professor left the country voluntarily to take up a
position as a visiting lecturer of natural science at the University of
Frankfurt.
Shortly before leaving Istanbul, Sezgin remembers telling one of his
Turkish colleagues of his ambition to compile a bibliography of all the
manuscripts in existence on Islamic science.
“Impossible,” sniffed the man. But Sezgin set out
to prove him wrong, devoting more than three decades to
the search, uncovering manuscripts
in England, Europe, Africa, Russia, Turkey, the Middle East and India.
Although he has not traveled to the United States, the Frankfurt
scholar has drawn on catalogues from American libraries and private
collections for manuscript listings.
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Top: Through a feat of engineering, 12 oil lamps burn in
succession to create an elegant “fire clock.” Above: The
model of the camera obscura on display at the institute is based on an
explanation by its 11th-century inventor, Ibn al-Haitham. The device
was an early progenitor of modern photography devices. |
After locating more than 400,000 texts, if Sezgin hasn’t
found all the medieval Muslim scientific writings extant, he probably
hasn’t missed too many. In his opinion, the most important
manuscript he discovered was
a copy of a landmark map drawn up for the ninth-century caliph al-Ma’mun. He stumbled across
it in 1984, in a 1340 encyclopedia at Istanbul’s
Topkapı Library as he was making a facsimile of the book.
“Ma’mun’s map was a giant step
forward,” Sezgin explains. “It gives the first
really accurate representations of longitude and the circumference of the Earth.” For example, where Ptolemy estimated the
distance from the Canary Islands—then regarded as the westernmost point of the world—to the eastern shores
of the Mediterranean as 63 degrees of longitude,
al-Ma’mun’s cartographers calculated a
substantially smaller figure that is only two or three degrees off the
true 50-degree measurement. They also depicted the Atlantic and Indian
Oceans as open bodies of water, not land-locked seas as Ptolemy had
done.
Back down in the museum, Sezgin shows me a model of
al-Ma’mun’s globe, vividly painted in gold and blue
with red bands indicating mountain ranges and thin green lines for
rivers. Nearby is a copy of Muhammad al-Idrisi’s 12th-century
world map, first engraved for Roger ii, the Norman king of Sicily, on a
ponderous 135-kilogram (300-pound) silver plate two meters (78") in
diameter. Although the later map distorts the known world by squeezing
land masses and oceans into seven equal climatic zones, it provides
considerably more detail on northern Europe, northern Asia and the
islands of what is now Indonesia.
Among the institute’s 25 elegant compasses made of wood and
brass, with magnetized iron needles, perhaps the most historically
significant is the simple copper ring with Arabic lettering designed by
Ahmad ibn Majid, the great Arab navigator. According to Sezgin, Ibn
Majid was the first to mount a magnetized needle on a revolving support
above the compass face. Earlier, the professor had eagerly hauled out a
copy of one of Ibn Majid’s maps, probably similar to one
employed on Vasco da Gama’s 1498 voyage from East
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A display presents replicas of the earliest instruments for eye surgery. |
Africa to
India, and marveled over its accuracy: It pegged the distance between
Africa and Sumatra to within 40 minutes of a single degree of
longitude, off by the equivalent of around 74 kilometers (46 mi).
“Eighty percent of the history of cartography until the 18th
century dates from the medieval Islamic period,” Sezgin
asserts. “Only 20 percent came from the ancient Greeks and
from later European sources.” As proof, he lays before me
copies of Chinese and Korean maps that use Arab, not European, place
names, and a 1669 French map by Nicholas Sanson that also recycles
Arabic longitudes and latitudes. Sanson’s map repeats a
mistake al-Ma’mun had made about the location of Balkh, in
northern Afghanistan, 800 years earlier. Since Muslim cartographers had
corrected the error by the 16th century, it is clear that Sanson,
working more than a hundred years later, was copying
al-Ma’mun’s original map, Sezgin says.
Wandering through the museum provides an eye-opening course in eight
centuries of Muslim science and Europe’s liberal
appropriation of Islamic discoveries. In one room are 10 instruments that the 16th-century Danish astronomer Tycho Brahe modeled on
instruments from the 13th-century Maragha observatory in northwestern
Persia. Among the dozens of gleaming brass astrolabes and
equatories—related instruments used to determine celestial
longitudes—is one designed on an Arab model by Geoffrey
Chaucer, the 14th-century English author of The Canterbury Tales, to
instruct his son
in astronomy.
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A replica of the globe commissioned by the ninth-century caliph Ma’mun
bears witness to the remarkable accuracy of Muslim cartographers. Below: A reproduction of a 14th-century candle clock shows how screws released in rapid succession freed metal balls
to chime bells in a rough measurement of equal hours. |
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Muslim clocks were some of the most ingenious ever created. One
extraordinary reproduction in Sezgin’s museum, modeled after
an original timepiece from 13th-century Toledo, has hands that move as
mercury shifts from compartment to compartment around a wheel. The
steadily moving weight of the mercury rotates the wheel through a
complete cycle in
24 hours. In addition to showing the hours and sounding them with
bells, the clock face represents an astrolabe that indicates the
position of the sun and stars. More than three centuries later, in
1598, Attila Parisio, an unscrupulous Venetian watchmaker, wrote a book
claiming that he had invented the device. And in 1656, the Campani
brothers presented a similar clock to Pope Alexander vii, no doubt
omitting to mention its Muslim origins.
Elsewhere in the museum is a delicately incised 12th-century brass
balance with a miniature bowl at one end that drips water with such precise regularity that the
counterweight at the other end tracks time in minutes. “This
was unheard of in the history of science,” marvels Sezgin.
“The Greeks could mark time in 15-minute intervals, but no
one before had managed to divide it into minutes.”
Amid cases holding pear-shaped alembic jars and a cylindrical brass
tower sprout-ing glass retorts with long curved necks, used to distill
rosewater, is a 1.5-meter-
tall (5') still with coiled pipe running through cold-water basins. It
is a reproduction of a 16th-century German apparatus that was modeled
after
a design by the 10th-century Andalusian doctor Abu al-Qasim al-Zahrawi
(known
as Abulcasis in the West).
Anticipating Leonardo da Vinci’s flying machine by more than
600 years, the Córdoban polymath Abbas ibn Firnas concocted
a rudimentary glider in the ninth century that is represented in the
museum with leather straps and cloth wings. Looking more like a contemporary
hang-glider than Leonardo da Vinci’s design, whose weight
kept him Earth-bound, Ibn Firnas’s glider managed
to stay aloft for a few meters, Sezgin assures me, though its
70-year-old designer later died of back injuries
suffered during his crash landing.
Despite his irrepressible energy and inveterate optimism, the professor
is far from encouraging about the future of Islamic science.
“In Turkey, Egypt, Iran and a few other countries in the
Middle East, there are a handful of universities offering courses in
the history of Muslim science, but so far, the education is not at a
very high level because there is a critical shortage of
teachers,” he complains. Germany and the UK have suffered a
decline in interest in recent years, although there is a small surge in
programs in the US, he notes. On the plus side, Granada’s
Science Museum is planning a new wing devoted to the Arab era, and
Turkish cultural officials have recently signed a contract with Sezgin
to open a new Muslim science museum at the Süleymaniye complex
in Istanbul that will draw on the Frankfurt collection.
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The Muslim
compass used in the Indian Ocean around 1500 (right) had improved on
the 32-point compass used in the West at the same time, allowing Muslim
sailors to make more precise navigational calculations than their
European counterparts. |
“So the interest is there, but it’s very difficult
work to carry on the history of Islamic science,” he says
with a sigh. For starters, competent scholars need to be conversant in
Arabic, German, French, English and, ideally, Turkish—like
Sezgin. When I point out that this is a very tall order, if you also
throw in possession of a modicum of knowledge of astronomy, mathematics
and other scientific disciplines, Sezgin nods his head in agreement.
“That’s why our work here in translating the scientific documents is so crucial,” he says.
Not to mention the exhibits themselves, which should be viewed by
hundreds of thousands rather than a mere 4000 visitors a year. Putting
these highly engaging displays on tour could work miracles for
educating the public about the depth and ingenuity of the Muslim
contribution to science, Sezgin readily agrees, but so far no
government, international organization or museum has come forward with
a feasible plan—with the possible exception of the Turkish
project. If the venerable professor is to have any success in his
campaign to carry on the long tradition of Muslim scientific
scholarship and research, this illuminating intellectual road show
should quickly get on the move.
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Paris-based author Richard Covington writes about culture, history and science for Smithsonian, The International
Herald Tribune, U.S. News & World Report and the London Sunday Times. His e-mail is richard [email protected]. |